![]() ![]() ![]() She peeled the newly created straps off Hadid’s body and placed them to fall off her shoulders before pulling out scissors and cutting a slit up the side. ![]() When the men were done spraying, a woman stepped on stage and took over, finessing the garment so it would be runway ready. The men immediately started spraying Hadid, who wore just a nude thong to start, working around her as she stayed put, posing as a dress formed on her body.Ī foamy substance started emerging from the devices as Hadid’s body became covered in a white, cobweb-like material. The robots were subbed out for actual men, and while that may initially seem like less of a technological feat, what they were able to create was likely impossible when McQueen thought twenty four years ago. Harlow was swapped out with Bella Hadid, a fellow W 50th anniversary cover star, and a woman arguably following in Harlow’s celebrated footsteps. At the Coperni spring/summer 2022 show on Friday, designers Sébastien Meyer and Arnaud Vaillant paid homage to McQueen by updating the moment for the 21st century and making it their own. Technology has advanced over the past twenty years, but no one has come close to the iconic moment created on that stage-nor have many tried-until now. In real time, art was being created and the audience had a front row seat. Twenty four years after the Alexander McQueen spring/summer 1999 show, and people still talk about that final moment when Shalom Harlow, wearing a voluminous strapless white dress held up by a leather belt, stood on a spinning platform and was doused in spray paint by robots. ![]()
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